top of page

​COMPOSITION

​​Stephen Beville's music announces no particular theory he wishes to impart (and if anything he would rather evoke an absence of theory). However, Beville's work may broadly be situated in the post-1960s European classical tradition.

​

Beville is often inspired by philosophy and the other arts (especially poetry, painting and sculpture) and - while he respects each of their claims to autonomous expression and meaning - they often serve as starting points for his own expressive aims. Beville's compositional style makes pervasive use of free chromaticism and a considerable rhythmic and textural variety, although he would hope without some of the 'density overload' of some contemporary expressionist composers. Important for Beville are clear musical structures (sometimes incorporating cross-references); allusions to the classical in the contemporaneous sense of the word, as Gadamer says. No less important to his creative process are the roles played by intuition and improvisation - the search for the new.  Beville says he often tries to seek out a sort of serenity and religious sense of wonder (as in Purgatory Pieces, Nocturnes, Aria, Other Spaces), Above all he feels music should exude a sense of spirit.

​

The composers Beville especially admires (however stylistically divergent from his own music) include Elliott Carter and Arvo Part. Beville's compositions range from solo and chamber pieces (The Echoing Sky, Michelangelo Pieces, Fashionism-Scenes of Youth, Monodrama) to orchestral works (Epicycle, Grand Partita).​

​

List of Works (Selected)

​BALLADE FOR EIGHT PLAYERS (1997)

​(fl, ob , bn, hn, perc, vl, vla, vc)​                                        - 7 mins                        audio​
​

EPICYCLE

for chamber orchestra (1999/rev. 2004)                                          - 10 mins                                   audio

 

​

MEDITATIONS AT THE CROSS

for large ensemble (2000)​

(pc, fl, cl, t tb, b tb, 2 perc, hp, pn, vl 1, vl 2, vla, vc, vcb)              - 25 mins​​​​

 

​

THE ECHOING SKY

for piano and electronics (2001)                                    - 10 mins                                     audio

​

MICHELANGELO PIECES

for piano, electronics and CD (2002)                                              - 14 mins                                     audio

​

FASHIONISM - SCENES FROM YOUTH

for electric guitar, piano, percussion and electronics (2003)     - 15 mins                                      

​

PURGATORY PIECES

for string quartet (2004)                                                                    - 18-20 mins                               audio

​

NOCTURNES

for violin and piano (2005)                                                                - 11 mins                                     audio

​

SCENES FROM DREAMS

Five pieces for solo piano (2006)                                                     - 12 mins

​

GRAND PARTITA

​for speaker and orchestra (2007-8)

(texts; Hans-Georg Gadamer)                                                          - 20 mins

 

​

IMPROVISATION No. 1 'The Time of Day'

for piano and cello (2009)                                                                  - 10 mins                                    audio

 

​

THE BALLAD OF OSCAR WILDE

improvisation for piano and cello (2009)                                      - 10 mins                                    

 

 

​

SHARDS AND SHIMMERS

cycle for solo piano (2009-10/2022)                                               - 40 mins

 

 

​ARIA​​

for flute and piano (2010)                                                                 - 10 mins

 

​

FOUR SACRED PIECES

for piano (2011)                                                                                 - 18 mins

​

​MONODRAMA

for solo violin (2011)                                                                          - 11 mins

​

PRELUDE-ETUDE-FANTASI

for keyboard (2012)                                                                           - 10 mins

​

OTHER SPACES

for viola and bongos (2012)                                                             -  11 mins

 

HOOTENANNY

for flute and electronics (2013)                                                         - 9 mins

 

HOMAGE A MONDRIAN

for piano (2014)                                                                                  - 5 mins

​

JERUSALEM VISIONS

for chorus and orchestra (2016)

(text: William Blake)                                                                             - 8 mins

 

TRIPTYCH

Three Pieces for Church Organ (2017)                                           - 20 mins

 

TWO PAINTERS  (MONDRIAN AND NICHOLSON)

for piano solo (2018)                                                                         - 9 mins

 

ANTHEM for male voice chorus (2018)

(text: T. S Eliot)                                                                                   - 3'40 mins

​

OUR WONTED HYMN (2019) 

for chorus and organ                                                                        - 4'40 mins

(text/trans: Robert Bridges)

​

L'Education Philosophique (2019)

for clarinet, metallic percussion and speaker.                              - 15 mins    

(text: taken from Bernard Stiegler)

 

Portrait of the  Angel Raphael

for piano solo (2020)                                                                         - 6'30 mins

 

KYRIE

for solo singers, chorus and orchestra (2020)                                - 16 mins 

 

HOLY SONG

for chorus and organ (2021)                                                            -  4'30  mins      

​

EVERY MAN

for chorus and orchestra  (2021)

(text: W Kandinsky)                                                                            -  6'30 mins

​

Fanfare for the solitary man 

for solo cornet (2021)                                                                       - 4 mins

​

THE WORD

for chorus and organ (2022)                                                            - 4' 30 mins

​

JESUS, LAMB OF GOD 

for a capella chorus (2022)                                                               - 4 mins

​​
​​
 
​                  
bottom of page